الفهرس Only 14 pages are availabe for public view
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Abstract
The present thesis will be divided mainly into four chapter an introduction and aconclusion in which it will show the areas of basic concerns of soyinka’s theory of drama his approach to his subject matter his technical innovations his use of mythology and the world view proffered in his mythic plays the whole thesis will view soyinka as adramatist it will seek to introduce some of soyinka’s plays by attempting to clarify some of these area