الفهرس 
المستوى الصوتىيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
The aim of this study is the close observation of the different methodic
demonstrations in AI Hadad’s poetry, the manifestation of its role for the
innovation of what the text refers to on one hand, in addition to the
realization of the beautiful effect on the receiver on the other hand, and
finally the relationship between this text and what surrounds it including
the environment which has an important effect on poetic forming for the
poet.
This study depends upon three levels which the poetical text
consists of: sound level, the structural level and the imaginary level.
These levels are ordered in according to the study of the poetical text; the
poet begins with the sound which realized as soon as we listen to; ends
with its forming poetical figures that is the most important units of the
literary text. Every chapter of this message specifies one level of the
poetical levels.
The entrance of the message includes a recent methodology of the
literary studies considering thatthese methodic researches depended on the
analysis of the several methods of the literary language; this methodology
is applied to AI Hadad poetry, one of Islamic Egyptian poets who doesn’t
have an extreme fame in relation to whom accompanies; so he is chosen to
be the application subject. The researcher has depended on the accurate
statistic methodology to search some indications which indicate to what
extend these methodic demonstrations of his poetry succession in relation
to its rare with others to be described accurately.
In the first chapter, the sound level includes three divisions:
(l) Poetry scanning ( the external music ):
The poet divides the meters to groups according to the divisions, then
he discusses the succession in the appearance of (scanning -rnetersnumbers
of the verses), the relation ship between the meters and the aims:
the scanning of poetry according to two criteria:
(a) scanning study.
(b) similar and compound meters
The research deduce that:
(I) the relation of the succession of meters in this poetical works asserts
that there are three formed 62.5% of the total meters used in this work;
they are AI-Kamel, AI-taweel, and AI-baseet. In addition to , the relation
of the successions of meters surpass in relation to the number of verses.
(2) the relation ofthe meters increase according to the numbers of the
scannmg.
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(3) the poetical aims increases according to the increasing of the
succession of meters; and there is no specification of a certain scanning
because the relationship between each other is functional.
(4) the surpassing of the compound meters on the similar ones is due to
tuneful differences. Scanning study refers to the poet who was excited
about the different harmony of sounds and the tuneful differences. This is
due to his society on the one hand and what the receivers want on the other
hand.
Chapter two : Rhyme
The researcher studies the rhyme to manifest its features of harmony of
sounds and interested in the letters of the statement (EI rawy), the study of
the rhyme sounds, the types of the rhymes according to freeing and
restriction and the movements of rhyme; he ends the chapter with AIwosta
rhyme and to what extend it participates in the poetical tUIJe.
He deduces that:
(1) the relation of six sounds of el rawy in this poetical work increases,
they are Al baa. Al raa, Al dal, Allam, Al non, and Almem which form
64.98%.
this relation agrees about the Arabic poetry.
(2) the more the sounds approaches the lips and the teeth, the more its use
increases in the poetical work.
(3) the relation of Al maghora sounds, which from 80.41 %, surpass the
relation of Al mahmosa sounds which form 19.17%.
(4) the freeing rhymes surpass highly on the restricted rhymes.
(5) the relation ofthe hemistich poems surpass non-hemistich poems in
this poetical works. This refers to Al Hadad’s knowledge of the
management of hemistich in poetical forming
Chapter three: the internal music
The internal music includes the tuneful reference, letter music, word
music and sentence music.
The researcher deduces that:
(1) sound repetition of the letters show a kind of referential sound balance
in the structure of the poetry.
(2) the different repetition leads to tuneful density especially in the
structure of Rad Al agz on Al sadr and Al trdeed.
(3) EI genas plays an important role in referential contradiction and depth,
in addition to tones through sound similarity.
(4) the linguistic repetition plays an important role in the verse leading to
the increasing of the tone .
. --~ .._----~----
(5) the vertical repetition of the verses creates a unique tune. The
contradictions lead to referential and musical density into the poetical text.
The second chapter includes the structural level which shows the
deviation and changes in. We can imagine it abstractly when we realized
its viewed effect in the poetical forming taking three horizontal and
vertical movements.
Every chapter specifies one movement of them. In the first chapter,
that specifies the horizontal movement, the researcher studies some
structural demonstrations such as advancing and delaying; and represented
in the advancing. of Al gar and AI magror on the verb and the subject of a
sentence.
This is the poet’s desire to interest in the advanced whom sheds light
on to fascinate the receiver. In addition to, the advancing of the predicate
of a sentence on the subject of a sentence with the aims of the specification
on one hand and the sounds on the other one.
The advancing of Al nasekh sentence has a clear referential role which AIHadad
intends to.
The researcher uses different methods such as the objection using
Shebh Al gomla to assess the meaning on one hand and specify it on the
other one. The objection of a sentence which isn’t preceded by zarf aims at
undoubtness which happens to the receiver. The objection of the
conditional sentences districts the relationship between the predicate and
the subject of a sentence with a certain meaning.
The objection of swearing asserts the meaning and shows the
seriousness of the speech implication. The objection ofcaIling aims at
awakening and the objection ofha Al Nafeia to Al gens.
The researcher discusses some methods:
He deletes the subject and used the predicate of a sentence to represent the
axe ofthe refrentiation on the verse level; then he also deletes the subject
and the predicate of a sentence in the sentence begins with the verbs, and
its referential effect on the poetry and the deletion of the complements. AIHadad
is interested in the object to pay attention of the receiver to the
verb; he also makes a number of possibilities which are the beauty of the
poetical language; then he deletes the articles which give the poetical work
the beauty.
The researcher ends these structures with the definition and
undefinition. The researcher limits Al maaref that as effective effect on the
structures such as the pronoun, the proper name, the demonstrative
pronoun and the relative clauses.
The researcher discusses in the second chapterthe ”conjunction”. He
discusses two phenomena: the conjunction and the conditionals. The
conjunction forms four methods as a result of the addition: the conjunction
with the accumulated addition, contradiction, negation, and synonyms. The
conjunction leads to the depth of the explained effect. The condition and
the control ofits parts lead to referential role on the level or the poetical
structure.