الفهرس 
العوامل المؤثرة على الملاقف فى العمارة الإسلاميةيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
The Wind catchers ( Mlaaqaf al-Hawaʼ ) Egyptian solution
architecturally to the problem of temperatures rising up in
urban and desert climate, which lies on the outskirts of
some cities, hence the importance of this topic in the field
of Islamic architecture through the ages, starting from
Tulunid to the end of the Ottoman era through Fatimid and
Ayyubid The Mamlukeras.
This subject has never been under scientific study by
specialists, but used to be came partially in studies, some in
the field of Islamic Archaeology and some of them in
engineering such as the master Thesis, Faculty of
Engineering, Minia University of Khaled Selim Vajal titled
Developing Malqaf al-Hawaʼ in order to be used in
contemporary Egyptian architecture, but did not refer to
Mlaaqaf effects of the Mamluk and Ottoman eras, and
Photographed, but noted Malqaf qaa Muhibb al- Din,
Malqaf Palace Gawhara, and photographed, and an article
by the French scholar Olivier Jaubert entitled (Capteurs de
vents dʼÉgypte), which describes Mlaaqaf al-Hawaʼ in
Egypt but incomplete, and Ph.D. thesis of Imad Ajwa,
Faculty of Archeology entitled architectural solutions
treatment of the phenomena of climate architecture Cairo
since its inception until the end of the Ottoman era,
includes an overview of the Mlaaqaf during the Pharaonic
era, and different Islamic eras, included photographs
mostly.
Perhaps the regularity of the climate atmosphere in Egypt
and the stability of North wind directions explains the
prevalence and persistence of these Almlaagaf be simplified. And shape Egyptian Mlagaf back to the
Pharaonic era, however, is still a distinct and continuing
until the end of the Ottoman era, and often were made of
pure wood, and draws their openings towards the northeast
or northwest, as well as towards the south and east towards
the south- west.
This thesis consists of an introduction and preface, Four
chapters and a conclusion and List of sources and
references. The following is a summary of the contents of
these chapters:
Chapter one: Its address of the factors affecting The wind
catchers ( al Mlaaqaf ) in Islamic architecture, and includes
a definition of The Wind catcher ( al Malqaf ) , factors
affecting climate in Cairo, Technical Description of The
wind catchers ( Mlaaqaf al-Hawaʼ ), building material The
wind catchers (al Mlaaqaf ), and rooting The wind catchers
( Mlaaqaf al-Hawaʼ ).
Chapter two: it is title The Wind catchers ( Mlaaqaf al-
Hawaʼ) sources and documents in the Mamluk and
Ottoman, deals with the names The Wind catcher ( Malqaf
al-Hawaʼ ) in the Mamluk and Ottoman eras and places
that we found out specifically, this Wind catchers ( al
Mlaaqaf ) material industry.
Chapter III: Its title The Wind catcher ( Malqaf al-Hawaʼ)
during the Mamluk period, and includes an overview of the
Mlaaqaf with a detailed explanation to them, and their
places in the installations, with giving brief summary of
these facilities by dividing the chapter to: First: religious
facilities included (mosques, schools and Khanquaoat),
Secondly: civilian facilities included (palaces and houses),
Also addresses the relationship Almlaaqaf elements of lighting and ventilation installations inside,The bottom line
is that this chapter stressed that Almlaagaf various types
found in most installations, despite their diversity between
religious and civil.
The fourth Chapter and the last one titled The Wind catcher
( Malqaf al-Hawaʼ) during the Ottoman era and includes an
overview of the Mlaaqaf with a detailed explanation to
them, and their places in the installations, which increased
diversity during this era, with a brief explanation of these
facilities by dividing the chapter to: First: religious
facilities of Ottomans, secondly: religious facilities of the
era of the family of Muhammad Ali Pasha, Third: Ottoman
civilian facilities, fourth: civic installations of the family of
Muhammad Ali. Fifth: commercial establishments of the
era of the family of Muhammad Ali Pasha, I was keen to
clarify the interaction with the elements of al mlaaqaf
lighting and ventilation inside the installations, and proved
this chapter al mlaaqaf frequent use of the wooden ceiling
italics beside other types of Mlaaqaf. It also provided the
study by 107 diagrams, and special album contains 137
photographic plate.
Finally, a conclusion included a presentation of the most
important results of the search, and most important:
different angle of inclination of this type of al mlaaqaf
during the Mamluk and Ottoman eras, and that the best
angle of inclination to grab the air is 30 ° degrees, and the
use of architecture al mlaqaf as an optimal solution to the
problem of damage detection, it which is forbidden by
Islam and Vgahaúh, and the clear relationship between
planning and al mlaqaf, where any able architect in the
Mamluk and Ottoman eras take into account design rules
for linking Almlagaf and surmounted by a space, and
devoid of decoration al mlaaqaf Mamluk, while less appearance on al mlaaqaf during the Ottoman era. And so
many of the results have been reached. As well as three
schedules: First Schedule includes limitation types
Almlaagaf which been received the study, and the second
Schedule includes the degree of inclination Mlaagaf
Second type ever italicized ceiling, which been received the
study, and the Third schedule includes misaligned
Almlaagaf which been received the study. The bibliography
appended to the forms and the list of the plates, which was
adopted by this study, As well as the proven sources and
references in Arabic and foreign languages, which was
adopted by this study.