الفهرس 
مدخل البحثيوجد فقط 14 صفحة متاحة للعرض العام
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المستخلص
The cultural and artistic turning in the Egyptian Society has been reflected on the concern with the consumers and raising their artistic sense and their tact. And from observing that the fabrics of local napkins are not of good artistic quality and there four, the role of the designers of textile typography comes to improve their production of designs to enrich the shape and the function of the furniture including what’s on it from inscriptions and trappings inspiring that from the Islamic art. Through that, it addresses the human intellect of the consumer and it is considered a tool to develop their ideas, cultures and knowledge through paying their attention aesthetically where they always see these artistic works around them in their sitting places whether they are in their houses or offices or elsewhere of the places that are valid to artistic works and there fore, they consolidate in their minds all what is stamped. And the researcher presents here study in five chapters:
Chapter 1:
includes the introduction and the researcher presents and previous studies, and the problem of the research, the objectives of the research, the limits of the research and the previous studies related to the topic of the research.
Chapter 2 :
The researcher exhibits some of the textile fabrics that are stamped and general partition of them and the factors impressed them and some technical measures that should be available in the material of the cloth of the napkins.
Chapter 3 :
The techniques that are used in carrying out and stamping napkins. And in This part, the researcher reviews the artistic and scientific bases used in the process of manual print and their advantages and disadvantages, like the technique of the stencil, patek, silk screen, knots, and loops, and imprints as a style of manual printing styles and how to amalgamate all these together.
Chapter 4:
Coins in the Islamic Caliphate (Umayyad- Abbasid- Fatimid)
The researcher shows some units of the Islamic Coins which have inscriptions and trapping embodying the spontaneity of the Muslim Artist who disengaged from the common meanings of the creatures, and the shapes that soared above the realistic logic formulas and interpretative entries to some inscriptions on coins.
Chapter 5 :
The Design in the Field of application the researcher presents some fine units and chromatic values of printed and done napkin fabrics, and done napkin fabrics and studies analyses the devised designs and the practical applications by using different weaving materials and the used tinctures in the printing process and the different methods in printing to produce printed napkin fabrics and the researcher presents the most important findings of the theoretical and practical sides of the results and eventually the suggested recommendations.