الفهرس 
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Abstract
The New Criticism is one of the Anglo-American schools of criticism which had dominated in the literary scene during the first half of the twentieth century. It has certain principles of dealing with works of art. This part tries to show the definition of the term, the origins of the three trends and its relation with other trends. The origins of the so-called New Criticism have already been described in the work of John Crowe Ransom, entitled The New Criticism. It began in England*as a school of criticism in the late twenties of this century . In its American form, indeed, the New Criticism had the character of a school during the thirties of this century. It had continued to be the dominant school of criticism in Anglo-American literary scene until 1965, when the school of structuralism took its place. In 1941, Ransom published The New Criticism (Norfolk, Conns), a study of Eliot, Richards, (and other modem critics).(1) George Watson believes that Graves and Empson The origin of the so-called New Criticism has already been described in the first work of Robert Graves and Williams Empson where, even before 1930, both verbal and structural analysis was practised, and the characteristic search for what Graves had called ’the most difficult meaning’ was accepted as the ultimate object of good reading. (2).