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العنوان
الرمز والإسطورة في الفن القبطي لإثراء جماليات بعض المفروشات النسيجية/
المؤلف
ابو سيف، مني قاصد الله.
هيئة الاعداد
باحث / مني قاصد الله ابوسيف
مشرف / سعد علي محمود سالمان
مشرف / سلوي هنري
مشرف / ايهاب فاضل ابو موسي
الموضوع
المفروشات. الفن القبطى. المنسوجات.
تاريخ النشر
2012.
عدد الصفحات
414 ص. :
اللغة
العربية
الدرجة
الدكتوراه
التخصص
التعليم
تاريخ الإجازة
2/1/2013
مكان الإجازة
جامعة المنوفية - كلية الإقتصاد المنزلى - الملابس والنسيج.
الفهرس
يوجد فقط 14 صفحة متاحة للعرض العام

from 414

from 414

المستخلص

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Summary
That culture is the result of controversial interaction in the
community, which linked him as part of relationships the natural
environment as well as other societies and cultures through the
development timetable which was formed through which
patterns of behavior and this is the culture is the foundation of
the ancient heritage known (the legendary) and it is working to
continue permanently in the region, Middle East. Which
associated with Arabism throughout the ages.
The legends of great importance to understand the heritage of
different cultures and studied as indispensable to understand the
history and taste of Arts and Letters and the interpretation of
religious beliefs and analysis of philosophical theories and
interest in myth is due to what it contains stories of the gods and
the dead and the Nymphs, apostasy and the Giants as the
mythology filled with perceptions and religious fantasy which is
an embodiment of the perfect examples of the activities and
attitudes Ranging from what is tragic symbols that carry the
content of the material depicts the moral philosophy of the
community and his habit and his feelings and his hopes and
fears. Usually what we find in the legends feelings of human
emotion and feelings and perceptions and attitudes tell us on the
philosophy of rights to exist and the attempts of’ intellectual
first, which contains the summary of his experiences and the
past and how it was derived from these experiments logic,
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concepts and dealing with reality according to the logic of
particular and in accordance with AD According to the logic of
particular and in accordance with the content of morality have
been drafted in the templates literary with privacy handed down
through generations and amended where she added to it which
made the legend place of work unswervingly do not stop and
Egyptian mythology, which reflect the beliefs of the Egyptian
people and motives, we find legends of ancient Egyptian. who
spanned Kthiz for good and turning off of falsehood to counter
the forces of nature and to draw closer and taken them around
his God Verdi legends of warding off evil and brings goodness.
We also find legends in ancient times was Egyptians artists
periodically directing their attention towards the production of
statues animal embodies the myths Almtheologia Egyptian
religious have been fabricated in periods of multiple over the
ancient Egyptian history to produce impressive, including a
black guard, including sphinxes, including rams, hippos, eagles
and hawks. We also find in the myths popular and by the
wrestling of the committees and goblins and stories of miracles
and endured those legends of the significance of moral and
religious obvious goodness will abide always defeats evil and
sinner always deliver a penalty is committed with his hands as
that of Art Coptic part of the mythology ofan icon George and
carries the significance of religious and immoral, and if you
look at our heritage, we find the human body of intellectual
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ideas in symbols legend. In order to realize the significance of
these symbols for us to understand the content of myth and
thereby infer the cultural heritage of the Egyptian society.
The Art Coptic art which is characterized by its wealth of
technical and decoration varied, which can he utilized in the
design and implementation of the furniture is characterized by
luster of Excellence, which indicates the origin Artist Egyptian
Coptic can also take advantage of the symbols found in Coptic
art in the work of these designs to enrich the aesthetics of the
furniture. And legend shroud is also a world full of
developments is may be images or drawing or signs or statues or
ceremonies and rituals that symbols legendary is the way artistic
reveal a state of psychological, which can take advantage of
these symbols and motifs found in the mythology and the
development of treatments Fine art for this motifs and then
employ them in the work of designs •for furniture suitable for
the dining room because of its Of the importance in our daily
lives are more commonly used stone.
The research problem
The problem with the search icon and legend in the Coptic art
riches of a lot of motifs that can help the designer to use as
sources of inspiration for some of the furnishings enrich the
aesthetics of the textile art of authentic Egyptian Copt has a
distinctive decorative style and the nature of the environment to
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suit the contemporary Egyptian Can be identified by the
research problem in the following questions:
1- There is a positive relationship between the symbol and
legend in enriching the aesthetics of the furniture
through the symbols and motifs found in the symbol
and legend
2- What arc the types of furniture and how to choose a room for
the table to use?
3- To what extent can take advantage of the (‘optic motifs, and
symbols for the design of Furniture suitable for dining
room?
4- Is there a relationship between the symbol and the reference
mark and the Coptic holidays?
5- What is the relationship between religion and legend?
6- Is the Coptic artist affected by myth?
Objective of this research
The research aims to:
1- Identified on the icon and legend in the Coptic art and
highlight the distinctive decorative units depicting the various
legends and symbols to highlight the different events including
Version Email this art.
2- Enrich the beauty of some textile upholstery textile and
capturing the decorations inspired by the icon and legend and
the holidays in Coptic art works embroidered or printed.
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3- Contribute to economic development through the design of
furniture inspired by Coptic decoration.
The importance of research.
Concentrated research on the importance of what we can
add it to the field of textiles to take advantage of the icon and
legend of the decorations in the development of innovative
designs in the field of textiles, while maintaining the features of
the symbol and the legend to contribute to enrich this hearty.
Analysis of some or the icons in the Coptic art to increase
awareness and education for those symbols and myths to
become more useful with linked areas of design, embroidery and
printing of textiles and give the innovations and new designs
inspired by the icon and legend.
The limits of research
Limited research on the study of symbols and myths of
Coptic art and beauty show:
- The preparation of designs inspired by some of the symbols
and myths of Coptic art and using them to suit the furniture
dining room.
- Only applied to the design of the dining table mats of various
shapes and sizes.
- The use of embroidery in the production of various styles
bedspread with the introduction of this style (print, art
Alaeljk....)
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- Only use the computer in Adobe Photoshop to make designs
suitable for the dining room.
Search procedures
To answer questions and to investigate the research
hypothesis and objectives of the researcher followed the
following procedures:
Research Methodology
Will follow the historical method in the descriptive
analytical characterization and analysis of Coptic motifs, as well
as the approach applied
Research tools
Includes manuscripts - Dictionaries - Encyclopedias -
Coptic Museum - Churches - Monasteries - Tools recording and
filming - camera - a basic raw materials - thread - Canvas -
needle - additional materials (natural and synthetic leather) -
embroidery machines.
Sample Search:
A random sample of market traders to find out the extent
of the requirements of the market as a kind of sales promotion
Xiahh internal.
Terms of study:
1- the symbol in the Greek language means a caution,
appreciation and consisting of the word sum in the sense
with the word that means in the Bible (the Constitution of
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religions christian) in the open dictionary for San Arabs
code that (vote cryptic tongue) Calems and is moving the
lips words is the concept of non-voice any signal lips and
dealt with the major French dictionaries as a form of symbol
or drawing or carrying a signal on the conventional.
Also known as the Encyclopedia Britannica, the term
symbol (gives something esophagus represents the similarity of
the mind is not clear, but achieved in partnership with him.
And exposed (Hadjal) for Wurmser says that he should be
distinguished, including Ihjoh of meaning and expression of
meaning associated with the representation or the subject of
expression and the presence of sensory or image of a thing
outside directly address Haddsta directly, but this thing does not
accept as already exists for itself, but the sense of a broader and
more generally as much or indicated Aonold Haorani that the
symbol is the idea behind that enables it is a race full of
concepts implicit in that idea, so the artist enters the
imaginations of interference in the relations of great complexity
and the people.
The symbol at the input of Mahmoud Bassiouni means
(the entity the overall total of the form regardless of the natural
and the symbol embodiment of the idea or emotion as it might
be close to the natural phenomenon and may be away from it
may be engineered or just extract and part and simplified
component generated as a result of the invention.
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- Legend: Legend is a word taken from the original Greek, or is
expressed in the Europeans (Almthologia itself a myth, and
mean what the operative and the relationship between these two
words and the word mouth any means mouth and that the word
myth offset in many languages Klmta myth, mouth. Are the
spoken words associated with the rites and rituals before they
turn into a story about Tqldeh objects above the normal range
under the name Alternative tales. (Ahmed Ismail Altama: 1995
female gods inherited the legendary pre-Islamic poetry and folk
arts magazine p 0.49 Egyptian Book page 18.
Different scientists and philosophers in the definition of legend,
but they met in some fundamental points around came in the
interpretation of the word myth Oxford Dictionary: the legend
known as just a fictional story includes acts and events
superheroes to normal, and embodies the popular idea what
about the natural history or the phenomena of history.
Also known as a tale of fairy enumerated fiction featuring strong
natural image Kontha live with excellent personal and predicts it
popular literature may be used in the presentation of ideas or the
doctrine of an offer stories of poetry is due not Agreed elements
with concrete reality, but as an attempt to explain the difficulty
of understanding the systems of cosmic as they seem of
humanity either morally or in terms of metaphysics called Ali
mythology a set of myths, which dominates the culture is such
as stories fiction about the heroes and gods, which involved
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attempts to explain the various manifestations of nature, society
and Petdmn Ganea lot of Arts unwritten as evidenced by
terminology on the science that by studying myths.
Copt: a generation of people sucking native, one (Coptic)
and collecting them (the Copts) (Lexicon mediator, 1961: p 718)
the word is derived Menem word Greek (Aajeptus) launched by
the ancient Greeks to Egypt and then the Romans of promises,
after deletion of the former (E) and more worthy than others (sp)
and remained the word (Jbt) Paljam Almathh pronounced
usually (s) The term Aajeptus is attributed to the word Pharaonic
_ panels Kauptah _ Name the capital of Pharaonic Egypt file
(encyclopedia) Arabic Facilitator, 1959: p 150) (Pahor Labib,
1970: p 150) , (Souad Maher, 1977: p 5).
And knows of the famous French (Piper de Bourges)
Copts that they Sleloa Pharaohs directly and that the word Copt
water only a shortcut for the word Greek Aajbtos where delete
the character Allpin of decision edema, and characters slurring
from the end of the word as agreed with him in recognition also
Sarwat Okasha said back word Copt in the original to Temple of
Ptah in a file and shamrock this name to the Greco-together
(Aajbtios) and DROPped into Arabic for Greek fall on the
beginning on that character to get to know against (the) also
DROPped the end as the characters express and stayed
(obligatory), which became (uptake) and that Great show Sakkat
more than indicated on the country and the Great after a
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distinguished name for the christians of Egypt to differentiate
them from others, and called the language in succession in the
name of the Coptic language of that word is attributed to the all
of the people of the religion and language and therefore called
the word Coptic on Egyptian christian therefore been identified
history of the Copts Batha history of christianity in Egypt .
Woven embroidered: woven cloth decoration is known
embroidery (chain stitch, section Alrkko, Soad Maher 1976-
256).
Furniture:
Brushes: Brushes mats and brushes thing: I mean Basta.
Bedding: furnished from the pleasures of home.
Bedding: collected mats and brushes. They are brushing and
sleep it (upholstered 1994.576).
And known (Abdul Moneim Sabri - 1975-200) in the
lexicon as a term that includes all types of fabrics and other raw
materials used in the seats, walls, clothing, Kaltengid, curtains
and fabrics used in the production and Aldamsk Gacard.
States Philip babcock-1986 - 924 in the definition of furniture,
quoting (Enas Mahmoud 2002-6) as the appropriate tools are
used to give the finishing touches to the living areas in homes
and offices.
The furniture can be defined as everything from brushing
pleasures of home, whether on walls or floors or furniture, used
for functional and add a touch of beauty to the place.