الفهرس 
IntroductionOnly 14 pages are availabe for public view
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Abstract
This war (Vietnam) was a magnifying glass that enlarged aspects
of some of the ways we, as Americans, think and act. Such a
glass not only makes things easier to see, it also focuses light so it
will burn. A child can learn from touching something hot. Can a
nati.on.? J
As time passed, the war diminished in the collective memory of the
people just as all plagues and violent upheavals of the earth fade from the
minds of the succeeding generations. However, the Vietnam War ended
officially in ] 975, it remained largely in the news throughout the last
three decades. Every time the United States is about to wage a war, there
has been this ongoing c1amour and fear that another ”Vietnam
Syndrome,,2 could be repeated in the next invasi :)1}. Unlike the child who
was burnt once by the fire, America burnt and it is still burning its
soldiers after Vietnam.
In the post-Vietnam era, America invented pretexts to suit every
military adventure in her agenda, so it was ”\Var on Drugs” to invade
Grenada 1J) 1983 and Panama in 1990, ”War as a Deterrent” to invade
Lebanon 111 1982, and ”War of Liberation” to oust Iraqi forces from
Kuwait in 1991. And recently, ”The War on• Ten’or” to invade
Afghanistan and Iraq,
In Vietnam, it was ”War on Communism” that lasted more than ten
years. When the Vietnam War was going on, the country was more
willing to avoid reference to it, and it did not want reminders of this topic
especially in the entertainment. The American traditional theater of the
] 960s put the Vietnam War out of its consciousness and its playwrights
and producers remained distanced from the subject. This was due to the
. .
support and funding from established institutions such as corporate
bodies, civic bodies, private endowments foundations, and other grant
awarding organizations.,,3 However, voices of dissent in theater, in
particular, would not allow the country to forget. Eventually, political
activists, dissidents, experimental Theater artists began to speak up and
produce many avant-garde plays in order; to abort the imperialistic
attempts and to expose the true intentions of the corrupt politicians.